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So that’s why when the “Jello dries up,” so to speak, it makes it very difficult to make fast vibrations, thus resulting in the inability to hit higher notes, cracking, or the inability to produce any sound at all. Moral of the story: Hydrated vocal folds are happy vocal folds!
Antonio Bazzini was born in 1818 in Brescia. Like the many others on this list, he was trained in music from a very young age, and was appointed the organist of his local church at 17. But he also benefitted from being a virtuosic violinist at a ripe time for violin music. He met Paganini and trained with him, being encouraged by his mentor to travel, perform, and work on his technique. He moved to Germany in his early 20s and befriended Robert Schumann and Felix Mendelssohn (Bazzini gave the first private performance of Mendelssohn’s Violin Concerto).
If you’re considering taking an online course to become a better composer, arranger, orchestrator, and all-around songwriter, head over to Orchestration for Strings to preview Soundfly’s mentored online course for free, and read on below to see what recent students have said about the experience!
If it turns out that Twitter mentions are where you are consistently getting the most interaction at scale, consider focusing in on Twitter and running some tests in the coming months to see what kind of increased participation you can drum up from that community.
This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!
“This Is America”: We’ve found the first of this year’s modulating pop tunes: changing from a gospelly F major to what I hear as E♭ Phrygian, which happens whenever Gambino shoots someone (in the video). I hear it as Phrygian because of the shark-in-the-water E♭ and E (or “F♭” if you’re being kosher theory-wise), and then the high-pitched whistle being a solid B♭, so there you go: E♭ Phrygian. Elements from the two tonalities fuse in places, like at 1:35 where there’s what sounds like a sample of previous F major vocals that drone on the very-not-Phrygian notes A and C, creating a heavy tension. This fusion is also present in the outro. Rhythmically, watch out after the second chorus, where it sounds like they added or skipped a beat, but they didn’t. It all flattens out after a few thumps.
Hardest rap albums
Over our C minor chord, we get a triplet figure of all B♭s, making the chord a C minor 7. This is followed by the use of a passing tone (Ab) to get from the 7th to the 5th. Finally, over the B♭, we have an F (the fifth of the chord), moving to a G (the 13th, another tension).
If you’re looking for an intimate house/basement show, local bloggers/curators No Smoking Media are bringing the party on Friday with several bands, including Stuyedeyed. Based out of Brooklyn, Stuyedeyed plays a fresh blend of latin-psych-rock. Nelson Antonio Espinal, the band’s lead singer and guitarist, collaborated with his bandmates to write Birth and Cursed (the two demos out currently) with one goal in mind: “to bring only the most excellent of vibes to any and all listeners.”
To once again refer back to Mr. Bowie, here’s an interesting fact. Surprisingly, young Bowie wasn’t considered an exceptional singer by his teachers. “David Bowie’s teachers called his idiosyncratic style “vividly artistic,” but only rated his voice as “adequate.” As voice coach Lisa Popeil writes, “though vocally agile as an adult, Bowie was never known for great pitch accuracy.”
Give yourself a very clear sense of what you’re hoping to accomplish and discuss it with your engineer(s) ahead of time. For me, that looks like setting some clear “Must-Haves” (e.g. all the bass tracks for the entire album) and then a few “Nice-to-Haves” (e.g. a random track of all of us hollering like banshees). Accomplish the “Must-Haves” first and then allow yourself to go crazy on the “Nice-to-Haves” with whatever time you have left.
If you’re often writing or producing music alone, it can be really easy to lose perspective. Having a sounding board who is more experienced than you in a specific area can help you develop confidence in your artistic choices and build momentum for your musical journey. This is an essential part of your relationship with Soundfly and with your mentor — having someone in your corner who can help you develop the confidence to push yourself further than you thought you could go.