Creating a string arrangement is the most powerful way to make a piece of music soar. Whether adding an epic string part to your latest pop song or composing for a classical quartet, there’s so much you can do with these dynamic instruments.
But perhaps the most commonly popularized use of the horizontal hemiola pattern is found in Leonard Bernstein’s “America” from his brilliant West Side Story musical. The following Latin-music-inspired motif is so clearly supplanted as the foundation of this song’s structure, it’s almost impossible to hear the horizontal hemiola without thinking of it. Here, the effect of modulating between duple and triple meter feels particularly strong.
While the PR-40 looks like a traditional condenser mic, it’s actually a dynamic microphone, which makes it an excellent choice for podcasting. Dynamic microphones are less sensitive than condenser microphones and capture less ambient noise. The PR-40’s fixed cardioid pickup pattern further helps reduce background noise for a crystal-clear broadcast. With an internal shock mount, the PR-40 is fully protected from handling noise, while the dual mesh filters prevent plosives. An extended frequency range helps capture that classic “radio voice” sound.
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This mentored online course is the brainchild of composer, educator, and cultural diplomat Charles Burchell, and provides a deep, well-rounded understanding of the subtleties of hip-hop beat production. We cover areas of producing hip-hop such as: writing beats and bass lines from scratch, creative sampling techniques, arranging and songwriting, mixing, and more, with a specific eye to hip-hop’s many subgenres.
By developing consistent workflows, streamlining one’s process (like for example using shortcut commands), setting limitations as well as reasonable yet strict deadlines, you will begin to see tasks getting completed faster and projects sounding better. In addition, focusing on optimizing your time management will naturally leave you with good habits and higher levels of confidence.
Kenneth Estrada y Santiago is a producing songwriter, musician, and YouTuber, based in Berlin, Germany. In his YouTube channel, SHOEGAZER he reviews effect pedals, teaches guitar chords and interviews weller known bands of the shoegaze scene. He was the frontman of the band Downhill Willows and releases his own albums on Bandcamp.
This was the first single off of Dookie, which has sold 20 million copies to date. In 2004, celebrating the tenth anniversary of the album, artists such as Good Charlotte and Sum 41 recalled the impact Dookie had on their lives for an article on MTV.com. My favorite quote, which kind of encapsulates what Green Day first contributed to music, comes from Billy Martin from Good Charlotte. “I remember he said ‘masturbation’ in [‘Longview’], and I was like, ‘No way!’ Green Day didn’t care. They were just doing their thing and there was nothing like them on TV.”
Because of this, soundproofing is an important aspect of any home recording setup. In this article, I’ll run through some inexpensive soundproofing hacks that my bandmate uses in his home studio that you can try for yours. But first, let’s go over a few things.
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In addition to playing the built-in instruments, you can also use the aQWERTYon as a MIDI controller for any DAW or notation program. Just set the input to the IAC bus (Windows users will need to install MidiOX before this will work.)
Our in-house music business guru, Jay Coyle, has managed crowdfunding and direct-to-fan campaigns for bands like the Barenaked Ladies, Veruca Salt, and the Presidents of the United States of America (to name a mere handful). He always instructs his clients to be themselves and share their stories genuinely when communicating with their fanbases.
Let’s examine the guitar more closely. Imagine that the guitar’s low E string has a frequency of 1 Hz. (It’s really 82.4069 Hz; feel free to multiply everything in this next section by that number if you want actual frequencies.) You want your high E string to be tuned two octaves higher than the low one, at 4 Hz. Let’s see if you can get there by tuning the strings pairwise.
Pyotr Ilyich Tchaikovsky’s ballet, “Swan Lake, Opus 20” contains a very distinct melody that you might not think you’d recognize until you hear it. At 0:03 of Act II, the oboe solo clearly establishes the perfect fifth in a beautiful descending line.
The points of reference are circled in red in the below image. Look at how the open string (Fret 0) and Fret 12 feature the same notes, but an octave above. The note of A appears three times so we can already see there’s a relationship between Fret 5 on the 6th string, and Fret 12 on the 5th string as well. We’ll explore this further as well.